reposted from my sister's blog

[zwol]

My sister Dara has a theory, which I reproduce here in full:

I have a theory, which probably derives from Harold Bloom, that we are directed in the course of our work as theater artists in the English-speaking world by the first Shakespeare play we ever saw. (If it was Bloom’s theory, it would expand to include all people, theater artists or otherwise.)

I tested this theory on two of my Convergence colleagues. Sure enough, we all had different answers - Robert had seen HAMLET first, which is remarkable. (I’ve never seen a live production of HAMLET.) Tony saw ROMEO & JULIET.

The very first Shakespeare I saw was MIDSUMMER, at the Theatricum outdoors. I remember these things from it:

- Puck swinging in on a rope from an enormous oak tree. The element of surprise. The feeling that the stage was alive with actors, that anyone might jump out of any crevice. That the ground, the hills, the walls were exploding with language.

- “But what of that? Demetrius thinks not so.”

- the lovers running through the twisted paths of a Topanga Canyon hill.

- the fairies saying “And I. ” “And I.” “And I.” (A chorus?)

- Bottom’s mask of a donkey’s head.

- The Mechanicals. “O kiss me through the hole of this vile wall.”

- laughing so hard that my face hurt.

- “If we shadows have offended” - the fantastic power embodied in that one actor, who was carrying all the threads of the play lightly in his mouth.

- Rhyme.

MIDSUMMER is about magic and love and language games, and I think I could even argue that it’s a landscape of imitation - between people and semihuman god-things, people and animals. Imitation being, of course, the founding principle of the improvised chorus. And it’s set in Athens, too. Which takes me back to the Greeks.

So I can derive all of my influences from it. I think I derive the other half from the film of “The Little Mermaid,” especially the fish-choruses.

Let us (er, me) know what the first Shakespeare you ever saw was. What do you remember of it? Do you think it shaped the direction of your work, or relationship to literature, or theater? If so, how? If not, Harold wants to talk to you.